What is a documentary? Well, a documentary is a form of
recording facts into a visual media like films or TV shows. The contents of
these can range from documentaries of various locations and events, to specific
people as well, essentially being a kind of bibliography for the person.
Expository documentaries are essentially “voice of God” documentaries,
which show the life of people in a specific place or of a specific group of people,
essentially giving the viewer’s more of an opinion of said object or location,
while having a commentator talk over the video, often giving opinions and facts
to the viewers. A common example of this
kind of film is the David Attenborough documentaries, such as “Trials of Life”
which looks at animal behavior through different stages of life.
Observational Documentaries is similar, in the fact it shows
information about certain people or locations, however, while expository has
some voice giving us information, observation removes any external observation
from anyone, including the recording crew, with even the recorded location
and/or group of people not interacting with the camera. An example of this is
“Big Brother” to a degree, this is because they barely react to the fact they
are being recorded, and it could be said there is a “voice of God” In the
confessional room.
Interactive documentaries are documentaries in which we know
there is someone involved, usually a kind of presenter, due to the fact he is
in the cameras field of view most of the time, actually asking questions to the
people in the documentary. It often presents multiple arguments, and editing is
seen a lot more. An example of a series of documentaries is the “Louis” films
(Louis Theroux), such as “Louis and the Nazis”. There are issues though, if the
people being documented don’t want most of his/her life being delved into in
detail, essentially locking out some parts of what could possibly have been
recorded. An example of this is, again in “Louis and the Nazis”, was when he
was conversing with a “Skinhead”, the “Skinhead” was not willing to disclose
anything about his Life to Louis because Louis himself was unwilling to state
his religious orientation. Code 8.1 from the Ofcom code states that “Any infringement of privacy in programmes,
or in connection with obtaining material included in programmes, must be
warranted.” (http://stakeholders.ofcom.org.uk/broadcasting/broadcast-codes/broadcast-code-2008/privacy/)
Reflexive documentaries are more “artistic” documentaries,
due to the fact they often end up making something that may seem strange, but
it still conveys its message. But, it’s strange design makes it a bit
confusing. This is due to the fact that unlike most other documentaries, it
feels more like a mish mash of things that are meant to represent other things,
people or areas. This ends up making some people unable to understand the
message relayed. An example of this is “man with a movie camera”. The reason
for this is due to the fact it is seen from the perspective of someone watching
the main “Character”, it seems like we are watching a chain that is also
happened while the documentary was being made.
Finally, there are performative documentaries. Unlike what the title displays, this is more
informative than the other documentaries, due to the fact that it ends up using
dramatizations, for example, recreations of past events. This in-turn is the
reason the name “preformative” is given. This makes it subjective, since we also
see it from one point of view at a time. The reason for this is due to the fact
that sometimes, only one side has the whole story, even then, it’s arguable. These
end up adding a good twist on the whole documentary genre, due to the fact that
most of the documentary types mentioned don’t end up explaining in this great
amount of detail. This can however cause issues since it can be a bit gory,
dependant on what is shown. It also involves multiple interviews with people. An example of this is actually the “Crime watch” this
is due to the fact that this show ends up following the main parts of the “Sub-genre”
My own documentary filmmaking philosophy is to keep it as
close to the truth as possible, essentially making a documentary of the performative
or interactive sub-genres to allow me to show more facts, and I will keep it as
close to the facts as plausible, even if there ends up being some kind of
random action had occurred during the recording. It does, however, bring questions if this is
the case due to the fact that no one can tell if what they are saying is the
truth.
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